The rough armor surface texture is represented in various places — shoulders, chest, knees, feet, weapons, and the backpack area.
Forward/backward shoulder movement and arm/leg spread range. The legs don't spread nearly as wide as other kits..
The rough armor surface texture is represented in various places — shoulders, chest, knees, feet, weapons, and the backpack area.
Forward/backward shoulder movement and arm/leg spread range. The legs don't spread nearly as wide as other kits..
As one of the most iconic suits of the One Year War, the Zaku is hands-down the most popular recurring item in the MSV lineup. Following the high-mobility type for space and the Zaku Cannon/Desert Zaku for ground combat, this time we've got the 1/144 Zaku Marine Type for underwater operations.
The overall look is basically a slightly tweaked version of the standard Zaku design — you can tell it's the underwater variant thanks to the aquatic backpack and the distinctive Subroc Gun. The overall sculpt and articulation feel a notch below the average quality for 1/144 MSV kits. On the flip side, the joint strength is surprisingly solid, but with articulation this poor, it's kind of a waste — honestly a bit of a shame T_T
In addition to the standard Zaku Marine Type configuration, extra armor and weapons are included to build it as a Red Dolphin unit. Since they're a bit tricky to remove once attached, you'll want to think carefully before committing. The sealing parts added to the elbow and knee joints in particular drag down the already poor articulation even further.
Aside from the unique appeal of "a Zaku that fights underwater," there's quite a bit to be disappointed about with this kit itself as an MSV release — but then again, variety is what the MSV lineup is all about, and this Zaku does hold its own place in it. It's an old-school kit without many strengths beyond joint strength, but maybe that's exactly why it could spark a challenge for the hardcore customizers out there. :-)
[ Updated at 2016.7.26 ]
AIThis page was translated by Claude Sonnet.