Kit Review
Straight build + Panel lining
Transfooorming~
Straight build + Panel lining
Transfooorming~
Oh wow!
The Bawoo has been released as an HGUC. Personally, the units that left the biggest impression on me in the ZZ Gundam arc of those late-80s Kon Kon Comics were the Bawoo and the Paras Athene — and the Bawoo in particular was not only a great-looking design, but the fact that it was a separating/transforming unit made it really appealing. And now it's been brought to life with top-tier proportions and quality that speak for themselves — how could I not be thrilled..!
First off,
it was already a pretty stylish design to begin with, but after going through Kadoki-san's hands, it's come out even more refined and wonderfully slender. As you can see in the photos, the proportions are just ex-cellent — easily on par with or better than most MGs. I'm also really happy with how the joints have just the right amount of stiffness, holding poses firmly without any wobble. And the articulation is surprisingly impressive for a transforming kit.
Even at 1/144
scale, the transformation is faithfully reproduced in great detail. Sure, the transformation itself is a bit awkward-looking by design.. but the upper body Bawoo Attacker actually looks pretty decent. The lower body is a bit of an in-between shape, though..
The orange and
yellow molded colors have a really nice tone. Not too bright, not transparent or muddy — just clean, true-to-color primaries. That said, the design's color scheme is so vibrant and varied that there are quite a few spots where the colors don't quite match the official specs. The arms, the cross part on the shield, the back of the legs, and so on.. Still, even with just the base molded color combination, you can definitely get a feel for the Bawoo's unique color scheme and character.
There's really
nothing to nitpick here — this is clearly one of the finest HGUCs out there, the kind that gives you that satisfying thrill when you're building it. ^^
HGUC Bawoo | 2000.9 | ¥1,200
AIThis page was translated by Claude Sonnet.