Kit Review
Straight build
Straight build
The third entry in the ongoing Crest variation lineup is the CR-075U2 Close-Quarters Battle Ver. First off, unlike the gray-tone of the standard Crest, this one switches to a blue-tone color scheme, which gives it a slightly fresh and crisp feel.
Setting aside the molded color, if you look at the overall design, the lower body is the same as the standard Crest, the arms and head are shared with the Dual Face, and only the torso core has a different design. So if you look closely, it does feel a bit like a mix-and-match job — but that's kind of the whole concept behind Armored Core, so it makes sense that a kit like this would come out.
The overall kit quality is similar to the standard Crest, with joint strength being pretty decent. That said, since the upper body follows the Dual Face, the shoulder joint strength feels a bit weaker compared to the hip, knee, and ankle joints of the lower half. Still, the overall silhouette isn't overly bulky, so it feels relatively stable.
The Armored Core series tends to be stingy when it comes to open/close gimmicks, but the Close-Quarters Battle Ver. does give you the service of an opening Over Boost section on the back. The overall detail and molding is quite refined, so the opening gimmick comes off pretty well.
It is essentially a kit cobbled together from similar existing kits, but the different color scheme and unique combination still give it its own personality as a variation. When the Armored Core plastic model series first kicked off with its mix-and-match mechanic concept, I was a little worried we'd see endless variations like this — but if this is the level of reuse we're talking about, it's acceptable enough. The change in molded color probably plays a big part in that.
Either way, since it's based on the Crest body — which has the most solid quality among the Armored Core kit lineup — overall satisfaction with this kit is relatively high. :-)
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Armored Core CR-075U2 Close-Quarters Battle Ver. | 2007. 5 | ¥2,800
AIThis page was translated by Claude Sonnet.