Kit Review
Straight build
Straight build
This kit is the Frame Arms Durga I: RE version released in October 2016. The original Durga I first came out back in May 2014 around the same time as the Makazuki, but I wasn't able to get my hands on it back then, so I never got to review it. After that, a number of Frame Arms kits were re-released under the "RE version" label, which basically means a repackaged version with only the inner Architect swapped out for the newer type. The new Frame Architect does improve the joint strength a little compared to the old one, but honestly it's not a dramatic improvement by any means.
Anyway, I finally got to review Durga I through the RE version released two years later — better late than never. As a sibling kit to the Makazuki, the inner frame construction is practically 95% identical if you set aside the head and weapons. The additional armor on the limbs is positioned differently and the molded colors are different, so it looks like a completely different kit at first glance, but if you compare them closely you'll notice it's actually made up of the same armor pieces, just arranged differently. As for its dedicated weapon, it comes with a lance-type weapon called the Hailang, which can be split front and back to be used as a short lance or a mace.
With the new Frame Architect applied, the joint strength is ever so slightly improved, so while it's not super tight, it holds poses reasonably well. The additional armor is on the bulky side, so limb articulation is pretty average — this feels like a kit where you should appreciate the looks over the poseability. Also, there are still quite a few parts that don't hold together all that securely, so it's a good idea to check the fit as you go and use a bit of glue where needed.
If you're into medieval knight-style mecha, this is a fun and easy kit to build. If possible, I'd recommend going with the RE version since the frame joint strength is (ever so slightly) improved. :-)
Frame Arms Durga I | 2016.10 | ¥4,200
AIThis page was translated by Claude Sonnet.