Kotobukiya Frame Arms Girl

Greifen

Kit Review

Straight build

This kit is the Greifen released as part of the Frame Arms Girl series. It's a girlpla reinterpretation of the original Frame Arms Greifen, combining a bishoujo-style base body with Greifen-themed weapons and armor.

First off, the base body has a noticeably different style compared to previous kits, so it'll probably be a love-it-or-hate-it situation. The body proportions and face shape look somewhat more childlike than what we've seen before. Build quality on the base body is decent enough, with solid articulation and joint strength. That said, once you load on all the weapons, there are so many moving parts that getting a good pose can be pretty tricky.

Even just trying to nail a clean standing pose takes a lot of fiddling — you'll be nudging things around by hand for a few minutes before everything settles into a stable, good-looking stance. That's kind of the fate of any kit loaded with stuff hanging off it. The joints aren't weak per se, but the balance of tension across the connection points is inconsistent, so when you push on one thing to get it into position, some unrelated part ends up popping off — which gets annoying fast.

On top of that, once the weapons are on, the articulation is pretty limited, making it hard to pull off really dynamic poses. Still, if you arrange the big robot arms and sub-arms well, you can get some pretty unique and characterful poses out of it. The weapon parts can also be detached and reconfigured separately into a ride vehicle, which the base body figure can then mount.

All in all, this is definitely a unique and personality-packed girlpla — but it's also one that demands a lot of fussing around, which made it quite a workout to review.. That said, the overall joint strength and stability are pretty good, so once you do get a pose locked in, it holds well. If the style appeals to you, this seems like a girlpla that'll give you a satisfying build. :-)


Frame Arms Girl Greifen | 2018.11 | ¥6,400

AIThis page was translated by Claude Sonnet.